Bob Collins And The Full Nelson: Telescopic Victory Kiss  cd   (Jigsaw Records)

Release date: June 16, 2015






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Bio: Remarkably, this is Bob Collins’ first album under his own name, despite his prolific and accomplished songwriting in The Dentists and other assorted acts over the years. Telescopic Victory Kiss brings together the finest songs from his latter day career performing as a solo acoustic artist or with the three piece Full Nelson combo.

The Dentists occupied a unique spot in the no-man’s-land between garage rock and nascent 80s indie pop. Thanks to a renewed interest in that era, and two reunion gigs in 2010, they are now receiving some of the recognition that eluded them in their heyday, to the extent that they are now a de rigeur presence on any self-respecting compilation of 80’s guitar-indie.

Bob’s signature passion-fuelled jangle is as in evidence on the new album as it is on any of his former band’s past catalogue, now combined with his own rich vocal delivery, doing justice to the lyrics like only the writer can.

Since their split in 1995 all members of The Dentists continued to be musically active if not prolific with recorded output, largely due to the continuation of a hesitant and dismissive approach to engaging with anything resembling the ‘music industry’.

After a brief respite Bob Collins supplied some guitar and songwriting craft to the self-confessed classic-pop MOR of Fortune West on a 2000 single, then appeared on an album and EP with Mick Murphy’s Fortress Madonna project in 2002. A collaboration with former Dentist Mark Matthews in the Great Lines, stormed SXSW 2005 before imploding and leaving a legendary album ‘in the can’.

Bob finally began performing in earnest as a solo artist in his native Medway Towns, in 2007 soon adding fellow ex-Dentist Rob Grigg on drums and ex-Ascoyne d’Ascoyne (another one of Bob’s former combos) Mark Aitken on bass as the Full Nelson.

Between co-authoring “The Kids Are All Square” a celebration of the early 80s Medway punk and garage scene, joining the extraordinary punk-pop-blues combo Stuart Turner and the Flat Earth Society, and co-promoting Medway’s Homespun independent music festival Bob managed to squeeze in the recording of this album during 2013 and 2014 with his Full Nelson colleagues.

Recorded in Medway’s analogue Ranscombe Studio, this ten-song assortment of self-penned material is as fresh, heartfelt and engaging a collection of guitar pop nuggets as you are likely to have heard in a long time.