I love your latest record Kingdom Technology. In my opinion, it’s a primal
garage scream of electronica, erotica, and neurotic impulse. What impact
did you seek with the compositions and accompanying album artwork?
Our friends Chris Nelms and Jason Matherly did the artwork, and aside from
thinking they’re wildly talented we’re big fans of each other’s work so it
seemed natural to ask them to do the cover. We don’t necessarily make
music to have an impact—if anything, we have an impact because we make
music. But if we could control the results of our intended impact, we’d
all have swimming pools shaped like palm trees.
You have referred to pop/rock as a “played-out corpse” with Jack White
being the best example of a derivative formula based musician. Do you
feel that the inclusion of ear pleasing melody and harmonizing throughout
your own compositions resembles pop/rock in anyway?
We think our compositions resemble pop/rock in every way. But you know,
all our pop friends think we’re hopeless weirdos, and all our avant-garde
friends think we’re rock stars. Which is probably the best place to be.
You have addressed modern music as “over privileged boys and girls
looking to manufacture an identity…” I personally think there are many
unaddressed personality disorders clogging the creative air of unique
artists and musicians. Why do music listeners pay so much attention and
money to generic retreads of the past?
Because they’re generic retreads of the present? More likely they’re just
responding to a conservative music press/music industry. With so much
music being made these days, it requires a lot of determination to sift
through it on your own, and as a result people are dependent on
websites/critics/etc. to recommend stuff to them. If that stuff is
backwards-looking and easily digestible, it’s more the fault of the music
press/industry than the music listener.
What is the typical reaction to Tunabunny that you encounter the most?
Confusion and/or adulation. Also, an increase in the use of thesauruses.
Do you think music in general should always be undefinable or
unpredictable? Does it benefit the band or the listener more?
We don’t think there’s that much of a split between band & listener. We
were (and are) music fans before we were musicians. And as listeners,
yeah, we tend to get excited by music that sounds different than what
we’re used to (recent examples of this would be Bastards of Fate, Blanche
Blanche Blanche, and Micachu) than something that sounds like, say, The
Stone Roses (though we all unabashedly love their 1st album). But should
it always be undefinable or unpredictable? Not if you want a bigger
swimming pool, apparently. But it’s good to keep in mind that owning a
swimming pool increases your risk of skin cancer.
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