Throwing Muses at Innocent Words

Here’s some praise from the arbiters of culture: ‘Hersh transmits a visionary quality to her songs.’ —Mojo, 4 stars ‘Purgatory/Paradise is unlike anything I’ve heard all year.’ —Pitchfork, 8.0 Every part of Purgatory/Paradise has meaning for the band and its listeners, making it a satisfying artifact in a time when music is becoming increasingly disposable.… Continue reading Throwing Muses at Innocent Words

Cosines at Innocent Words

This two-song 7-inch from London’s synth-heavy five-piece is a perfect calling card for those who have never heard the band. Side A’s “Commuter Love” is a feedback drenched, garage pop number, with a nod to bands like The Black Keys, while the flip side, “Disclosed Stories,” is a bright, bouncy ditty, complete with trumpet, that… Continue reading Cosines at Innocent Words

Eureka California at Innocent Words

For a duo, Eureka California make a hell of a lot of noise. The Athens indie rockers, comprised of drummer Marie Uhler and singer/guitarist Jake Ward, have just turned in their second full-length in 18 months, and far from sounding like a rushed out also ran, ‘Crunch’ is a remarkably satisfying slice of unpretentious college… Continue reading Eureka California at Innocent Words

Luxembourg Signal at Innocent Words

This two-song release from The Luxembourg Signal – “Distant Drive” and “Wishing Pool” – is a spacey blend of mature indie pop. Comprised of members of Aberdeen, this debut is curious, but not exactly revolutionary. The A-Side, “Distant Drive” is the more compelling of the two tracks, but both feature jangly guitars, strong synthesizers and… Continue reading Luxembourg Signal at Innocent Words