Fireworks at Collapse Board

A major factor in keeping indiepop – genuinely underground guitar pop, as opposed to major label ‘indie’ – alive through the years and generations has been the fact that it is impossible to play convincingly without a hefty injection of energy and naïve enthusiasm, and that its simplicity allows for personalities to make the tropes… Continue reading Fireworks at Collapse Board

Shelflife at Fat Angel Sings

Shelflife Records is a Portland and San Francisco based record label run by Ed Mazzucco and Matthew Bice and has produced such bands as Burning Hearts, Days, Brittle Stars, and The Radio Dept. Shelflife traces its 1995 origins to a bedroom in a southern California suburb, where it began in conjunction with a mail order and… Continue reading Shelflife at Fat Angel Sings

Fireworks at Performer Magazine

Cut to snow-white vinyl, the Fireworks’ debut LP, Switch Me On, is a masterstroke of noise, feedback, reverb, and 12-string jangle that’s basically the best Buzzcocks record the Buzzcocks never made. The band is an eclectic mix of UK vets (Pocketbooks, Big Pink Cake, The Popguns, etc) who’ve already released a couple of well-received 7-inch… Continue reading Fireworks at Performer Magazine

Fireworks at Fingertips Music

A blistering, buzzy shot of punk-ish pop (or, perhaps, pop-ish punk), “Runaround” is a brazen reminder that digitalia only gets you so far in a world that still exists in three dimensions (so far). There’s a chunky permanence to the guitar-bass-drum attack of The Fireworks that renders the knob twiddling that dominates 21st-century pop music… Continue reading Fireworks at Fingertips Music